Friday, September 14, 2012

Question #2


Can a particular experience/object be universally beautiful based on the fact of us solely  being human? For instance, something such as an ideal natural landscape.

As a human being, we obviously have developed in our evolution certain adaptations into classifying, or at least, invoking particular feelings towards objects. Does this mean that, without a knowledge of an authoritative idea of taste, we would find things beautiful ‘in the raw’ so to speak. That is, would our minds illuminate things based on a survival instinct? I would think yes to a degree. Although the article we read discussed “disinterestedness” within the confines of beauty, which I took for, if I’m correct, pleasure without desire. 
  Setting aside sexual desire, symbols of fertility are among one of the first things to be produced in artifacts during early human development.  Would the idea of fertility in itself, suggesting big breasts and wide hips for example, be a finding of beauty? For once this idea is registered in our mind we clearly would impose it on particular females with these properties. This is though also inferring that their is at the most basic level, a form of social structure put in place. Evidently man has evolved as a social creature, for surely an infant could not fend for itself and grow up (or it’d be extremely unlikely). 
Going back to my original question then, could a natural landscape be seen as beautiful within the experience of a human just being human? I would say no. Surely the man would find wonder in what is around him, almost to the sense of magic, but without a background for comparing something experiences/objects would be determined merely on pleasure, for that would be all he would have to go on without contact with others of his kind. The man would only have himself to agree with, thus no universal concepts, so he could not make an aesthetic judgement and define beauty for himself. 

Question #1




Is the notion of ‘correctness’ just a trend believed to be true by a group of individuals?

As I think about this idea of correctness it seems to me influenced by a network of individuals. Thus they create and impose a particular idea of what characterizes an ideal sense of beauty. For example, Italian Renaissance painters would illustrate biblical stories in a whole manner of ways and interpretations. This resulted from the interest of beauty in Christianity. To be considered at the top, to be in first rank, one would have to paint in the conditions of the patron (thus reflecting in society’s view of beauty as it was people of power who were conditioning the public eye, for smaller artists would not have very much influence). This is what comes from an authoritative source within the confines of a society. To me this is important in defining what one thinks of beauty because correctness would then be put in place to the standard, or universality. 
Of course everyone at the same time is able to have their own subjective experiences. These subjective experiences would take into account a person’s own opinions, previous experiences, and personal development. This combined with the above standard, imposed by society, I would think would form the notion of correctness. As I do not think the correctness of today will be the correctness of tomorrow, for everything is constantly changing due to time and space and the phenomena around the world. 

Thursday, September 13, 2012

Video on Hume and Kant

This is a small three part lecture I found on Hume and Kant.

http://www.youtube.com/watch?v=26-5BfI0AJw

Sunday, September 9, 2012

Why, Hello!

       Hi I am Tom Leidenfrost. This is the first time I've had a blog, like this at least, for a class, yet I am sure it will be a fun place to put down my thoughts and learn from you all. I am a theater student (FPA: Theatre Concentration) who is getting a minor in philosophy. You may have seen me in a production here at school or heard me playing accordion across the quad on occasion if you don't know me. I haven't taken a philosophy class since freshman year, although I feel I have still been trying to discover the truth, or at least of a version of it, within my own artistic works. Theater to me is philosophy in motion, more or less, and my reason for taking this course is to investigate how I can apply some of these ideas to my work. As with theater one must be willing to take risks. I may not know all of the answers but will do my best to articulate them in my future posts!